And in this version, you don’t have to take a “fan” cruise to get up close and personal.
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Pay $5000 (at first, now $5499, plus extras), jam and learn from your aged classic rock or metal heroes, hang with them in a nice hotel for a few days, soak up a little of the rock’n roll lifestyle. This is captured on Daltrey’s soul-baring solo album Under a Raging Moon, in which the singer roars about his elemental loss with lines like “The wild man/ He laid the thunder down!” and “After the fire/ The fire still burns.” One only need to pull some chills-inducing YouTube footage of Moon at his prime, absolutely having the time of his life, to prove that description as Scripture.You’ve been hearing about it for decades, the amateur musicians’ version of various sports “fantasy camps,” but for rock and roll fans. That said, Moon and Entwistle weren’t just essential, they were irreplaceable, and the band took Moon’s passing hard. The Who would go on to have a long and rewarding career even after the deaths of Moon and Entwistle, with auxiliary members like The Small Faces’ Kenney Jones and Oasis’ Zak Starkey carving out their own legacies in the band. Townshend went on to regret the head-scratching title, saying on the Pete Listening Time promotional LP that he “should have won the Stupid Title of the Year Award.”ġ985: Mourning the Loss of Moon, Daltrey Releases Somber Tribute Somebody with eyes like slits, who was basically capable of anything - you know, any kind of murderous act.” Regardless, Eyes is a nifty mix of new wave synths and strange poetry. It’s hard to imagine what Townshend was thinking when he titled his third solo album, even as he over-explained it to Rolling Stone: “I just had this image of the average American hero - somebody like a Clint Eastwood or a John Wayne. With help from members of Yes and The Small Faces, Happy Birthday was an album of thanks to Baba.ġ982: Townshend Gives Himself ‘Stupid Title of the Year Award’ For All the Best Cowboys Have Chinese Eyes Suddenly, his entire outlook changed, shunning psychedelic drugs and writing songs with titles like “ Faith in Something Bigger.” He later channeled his beliefs into classics like Who’s Next, Tommy and Quadrophenia, in which he faced down autobiographical themes of child abuse, mental illness and depression through a spiritual lens. In 1968, Townshend was tipped off to the teachings of Meher Baba, who preached a mixture of Sufism, Vedantism and Mysticism, by a friend in art school who slipped him the book The God-Man. 68 on the Hot 100, but the album is mostly infamous for its cover sleeve, in which Daltrey, with his lower half replaced with a horse’s, stretches out in his heavenly abode.ġ976: Pete Townshend Cleans Up, Releases Star-Studded Tribute to His Spiritual Guru The results are pleasant enough, with the single “Come and Get Your Love” hitting No. Naturally, embodying the role of the first rock star would inform the songs he recorded during this time, released as Ride a Rock Horse.
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His only solo album, Two Sides of the Moon, is mostly a reminder of that, with endless guest stars ( Joe Walsh, Harry Nilsson, Ringo Starr, more) egging on Moon’s dilapidated versions of “Don’t Worry Baby” and “In My Life.”ġ975: While Portraying Franz Liszt on Camera, Roger Daltrey Releases Quickie Album With Himself as a Centaurĭaltrey spent most of 1975 portraying the flamboyant 19th century composer Franz Liszt for the Ken Russell movie Lisztomania.
Unfortunately, his Peter Pan syndrome lent itself to an appetite for drugs and alcohol, which put him right at home in ‘70s rock’s odious party scene. Perhaps the only human being in history with “exploding toilets” as an entire subsection on their Wikipedia page, Keith Moon was the living embodiment of rock ‘n roll’s outrageous, boyish innocence. On the cover: an X-ray of a terminal heart patient on the rear sleeve, the X-ray of a pregnancy test.ġ975: Keith Moon Cooks Up Boozy Pop Standards With Harry Nilsson, Ringo Starr Naturally, his commitment to the weird extended to his death-obsessed solo album, Smash Your Head Against the Wall, which explored a heavier direction than the art-damaged Townshend would be inclined to take.
A lifelong Freemason, he had an expensive affinity for horror themes and the macabre, even constructing a pub in his country mansion called The Hammerhead Bar where stuffed sharks hung from the ceiling. Who bassist John Entwistle was a notoriously eccentric character behind the scenes.
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